CHAPTERS, JOURNAL ARTICLES AND PAPERS
Raji-Oyelade, A. & Oyeniyi Okunoye. Eds. The Postcolonial Lamp: Essays in Honour of D. S. Izevbaye. Ibadan: Bookcraft, 2008.
Raji-Oyelade, R., S. Olorunyomi and A. Duro-Ladipo. Thunder-God on Stage. Ibadan: Institute of African Studies/IFANET, 2008.
Raji-Oyelade, A (and Susanne Gehrmann), 2007. “Africa and the Weltverkehr of Tongues, Books, and Scholars”, Comparative Literature: Sharing Knowledges for Preserving Cultural Diversity. Eds. Lisa Block De Behar, Paola Mildonian, Jean-Michel Djian, Djelal Kadir, Marcio Seligmann-Silva, Alfons Knauth, Dolores Romero Lopez. In Encyclopedia of Life Support Systems (EOLSS), Developed under the Auspices of the UNESCO, Eolss Publishers, Oxford ,UK, [http://www.eolss.net] [Retrieved July 9, 2007]
Raji-Oyelade, A. (with Christine Matzke and Geoffrey Davis), eds. 2006. Matatu: Journal for African Culture and Society. Vol. 33. Issue: Of Minstrelsy and Masks: The Legacy of Ezenwa-Ohaeto in Nigerian Writing. Amsterdam/New York: Rodopi. (Book in Journal Series).
Raji-Oyelade, A. 2006. “Representational Exposures: The Album of Nigerian Women’s Poetry (1985–2006).” In Of Minstrelsy and Masks: The Legacy of Ezenwa-Ohaeto in Nigerian Writing. Matzke, C., A. Raji-Oyelade and G. V. Davis, eds. Amsterdam/New York: Rodopi. pp. 293-316.
Raji-Oyelade, A. 2006. “The Virtuous Imagination of a Female Voice in Recent Nigerian Poetry: A Reading of Mujidah Aleem’s Another Story.” SemiCerchio: Rivista di Poesia Comparata (Journal of Comparative Literature). 35. 2 (2006): 109-110.
Raji, Remi. 2006. “En ankomstens fest: Tema Unga Kvinnor i Nigeria.” (Swedish translation of “Women in New Nigerian Writing: A Feast of Arrival”). Karavan Nr. 2: 30-35.
Raji-Oyelade, A. 2005. “Ibadan and the Memory of a Generation: From the Poetry Club to the Premier Circle.” English in Africa 32.1. 21-35.
Raji-Oyelade, Aderemi. 2005. “The Troikan Consciousness in Edward Brathwaite’s The Arrivants.” In Austine Akpuda, ed., The Black Presence in Caribbean Literature. Enugu: Samdrew Production, 126-136.
Raji-Oyelade, A. 2004. “Posting the African Proverb: A Grammar of Yoruba Postproverbials, or Logophagia, Logorrhea and the Grammar of Yoruba Postproverbials.” Proverbium: Yearbook of International Proverb Scholarship 21: 299-314.
Raji-Oyelade, A. 2004. “Season of Desert Flowers: Contemporary Women’s Poetry from Northern Nigeria” In African Literature Today Vol. 24. 1-20.
Raji-Oyelade, A. 2003. “Myth and Ideology in Nigerian Drama: Reading the Early Plays of Femi Osofisan and Bode Sowande.” Iba: Essays on African Literature in Honour of Oyin Ogunba. Eds. Wole Ogundele and Gbemisola Adeoti. Ile-Ife: Obafemi Awolowo University Press. 74-88.
Raji-Oyelade, A. 2003. “Why the Riverbird sings: Lola Shoneyin’s Song of a Riverbird.” Position: International Arts Review 1.4. 71-73.
Raji-Oyelade, A. 2002. “Poetry’s Power of Social Mobilization: The Teachings of Niyi Osundare.” The People’s Poet: Emerging Perspectives on Niyi Osundare. Ed. Abdul-Rasheed Na’Allah. Chicago: Africa World Press. 231-247.
Raji-Oyelade, A. and S. Olorunyomi. 2002. “The Poet as Dramatist: An Interview.” The People’s Poet: Emerging Perspectives on Niyi Osundare. Chicago: Africa World Press. Ed. Abdul-Rasheed Na’Allah. Africa World Press. 519-525.
Raji-Oyelade, A. 2002. “Among the Siren Sisters.” Position: International Arts Review 1.3. 20-28.
Raji-Oyelade, A. 2001. “On African Proverbs.” Proverbium: Yearbook of International Proverb Scholarship 18: 385-387.
Raji-Oyelade, A. 2001. “Ralph Ellison’s Juneteenth: The Likeness of An Incomplete Masterpiece.” Glendora Book Supplement 6: 18-21.
Raji-Oyelade, A. 2000. “Character Theory in the Black Novel.” In The Black Novel. Ed. Asha Viswas. New Delhi: Bahri Publications, 2000. 29-40. Series in English Language & Literature (SELL 52).
Raji-Oyelade, A. 2000. “Opening Spaces.” Position: International Arts Review 1: 5-8.
Raji-Oyelade, A. 2000. Review of Osun and the Hunter: A Yoruba Legend, by Pat Oyelola and Inose Osose. The Nigerian Field 65. 3 & 4: 243-246.
Raji-Oyelade, A. 1999. “Postproverbials in Yoruba Culture: A Playful Blasphemy.” Research in African Literatures 30.1. 74-82.
Raji-Oyelade, A. 1998. “Toni Morrison's Paradise: Haven Imagined & Paradise Lost.” Glendora Books Supplement 3 & 4: 13-15.
Raji-Oyelade, A. 1998. “The Contours of ‘Citiness’ in the Nigerian Novel.” Gege: Ogun Studies in English 3: 181-194.
Raji-Oyelade, A. 1998. “Cadences of Influences and Synthesis in the African Novel.” Africa America Asia Australia 21: 207-214.
Raji-Oyelade, A. 1998. “Antiphonal Anthologies: A Critique of The Norton Anthology of African- American Literature (1997) and Call and Response: The Riverside Anthology of African- American Literary Tradition (1998).” Glendora Books Supplement 2: 12-14.
Raji-Oyelade, A. 1998. “Achebe and Conrad: The Post (Colonial) Response.” Literature, Ideology and Society. Festschrift In Honour of Abiola Irele. Eds. A. Adebayo and S. Odunuga, 275-286, Ibadan: AMD Publishers.
Raji-Oyelade, A. 1998. “Review of Breaking the Silence: An Anthology of Short Stories.” Wasafiri 27: 62-63.
Raji-Oyelade, A. 1997. “Aspects of Uncle Tomism in African-American Literature.” Ibadan Journal of Humanistic Studies 7: 99-109.
Raji-Oyelade, A. 1997. “African-American Poetry: A History of Representations.” Poetry in English, ed. by A.O. Dasylva and B.O. Jegede, 161-184, Ibadan: Sam Bookman.
Raji-Oyelade, A. 1997. “Canonizing Our Daughters Voices: C.O.Ogunyemi’s Africa Wo/Man Palava: The Nigerian Novel By Women (1996).” Ariel 28.3: 182-186.
Raji-Oyelade, A. 1997. “The Comparatist Choice: Critical Essays on the Novel in Francophone Africa.” Presence Africaine. New Bilingual Series 156: 249-253.
Raji-Oyelade, A. 1992. “Charles Chesnutt’s ‘The Goopher’d Grapevine’: The Real Text Underground.” JORNART 1.1: 100-105.
OTHER PUBLICATIONS
Raji-Oyelade, A (Olayinka, A. I., Agbaje, A. A. B, et. al., 2004). Guidelines to Writing a Doctoral Thesis. Ibadan: Postgraduate School, University of Ibadan. 77 pp.
FORTHCOMING PUBLICATIONS
Raji-Oyelade, A. Typologies of Postproverbials in Yoruba Culture (current Book project).
Raji-Oyelade, A. Ofeyi’s Quest: Overtures of Order in Wole Soyinka’s Season of Anomy. In Philosophy and Social Criticism in Wole Soyinka. Three Essays in the Hope Library of Liberal Arts Monograph Series. Ed. O. Oladipo. Ibadan: Hope Publications.
Raji-Oyelade, A. A Dozen Voices and More: Sister Acts in New Nigerian Poetry.
Raji-Oyelade, A and L. Combrinck. Renascent Africa: An Anthology of New South African and Nigerian Poetry.
PATENT, PRESENTATION, INSTALLATION
Raji, Remi & Stephanie Zeiler. “Washing Black Gold”, a multi-media installation/performance. Kunst8, in Braunschweig, Germany. September 8 – 10, 2007. (eine Performance zusammen mit artist und journalistin Stephi Zeiler bei Kunst8 in Braunschweig)
Copyright © by Remi Raji All Right Reserved.
